miércoles, 30 de septiembre de 2015

Adiós al Minimoog Voyager

Moog Music anuncia el fin de una era: cesará la producción del Minimoog Voyager, el último sintetizador diseñado enteramente pro Robert Moog y cuya producción se ha mantenido durante 13 años.

http://bit.ly/1WzHLh2

Native Instruments Releases Full Version of Stem Creator Application


Native Instruments releases full version of Stems Creator App along with a video interview from Berlin’s own NGHT DRPS, on how he uses Stem Creator.

Stem Creator

After a successful five-week beta period, Native Instruments announced the release of the official full version of Stem Creator – the first standalone application developed specifically for Stem file creation.

The Stem Creator Tool is available now for free download at the Stems Music website.

The new tool provides a simple way to create high-quality Stem files using a drag-and-drop interface and integrated mastering controls to fine-tune the final mixed Stem file’s sound. Stem Creator enable producers, DJs, labels, online stores, and the entire world to create their own Stem files and discover a new music experience. A Stem file contains a track split into four musical elements: A drums stem, a bassline stem, a melody stem, and a vocal stem for example. Each ‘stem’ can be controlled independently to create instant new mixes, mashups, instrumentals, acapellas, and more.

Introducing Stem Creator with NGHT DRPS

Click here to view the embedded video.

How It Works

Creating Stem files is quick and easy with the free Stem Creator. To create a Stem file, creators first prepare and export four isolated musical parts of a track from their DAW or audio editor, along with the final mixed version – five uncompressed audio files in total. Then each file is imported into the Stem Creator where a limiter and compressor are adjusted to match the stems with the volume and dynamics of the original stereo master. Standard metadata like track name, artist, and album name can then be edited, along with advanced options like stem name and color, catalog number, and album art before finally exporting the finished Stem file.

Take a look at this quick tutorial video for a step-by-step guide on creating Stem files.

Click here to view the embedded video.

Compatible DJ Controllers

kontrol D2

Native Instruments recently introduced Stem file support in TRAKTOR PRO 2, providing instant plug-and-play connectivity with TRAKTOR KONTROL S8, S5, D2, and F1 – the world’s first Stems-ready DJ controllers.

Stems for DJ’s

Stem files allow you to interact with four different musical elements of a track independently while DJing – expanding performance possibilities that make your DJ sets stand out.

These four ‘stems’ of a track can be modified individually to create spontaneous instrumentals, remixes, or mashups. Transition between elements stem-by-stem instead of using global volume and EQ control for an entire track. Or apply effects just to a specific stem. And to get really creative, swap elements across multiple decks – take the vocals from one track and mix it with the beat from another, for example.

Stems for Producers

As an open format, anyone can create, perform with, and distribute Stem files. If you create your own music or produce for other artists, Stems offers a new way for your work to get noticed. Providing your brand new material as Stems ensures exclusive promotion through your network of trusted DJs.

Onstage, Stems also lets you perform your tracks live while retaining the creative possibilities of both DJing and studio sessions. As a producer or producer-DJ, you can use the free, standalone application called the Stem Creator to create Stem files.

Stems for Labels

As a premium file format, Stems can create new revenue streams for labels and online music stores to grow their business. A new release will boost label visibility while the hooks, basslines, and more from classic hits are reborn through the imagination of countless DJs and producers.

Developer Toolkit

Native Instruments also announced that later this year, a special developer toolkit with specifications, code examples, and the application’s entire DSP library will also be available from stems-music.com. The developer toolkit will make the technology behind Stems readily available for anyone to integrate into future software and hardware.

 

About Native Instruments

Native Instruments is a leading manufacturer of software and hardware for computer-based music production and DJing. The company’s mission is to develop innovative, fully integrated solutions for all professions, styles and genres. The resulting products regularly push technological boundaries and open up new creative horizons for professionals and amateurs alike.

Support the Stems producer community by using the hashtag #makestems on social media.

 

Dubspot Maschine Program

Click here to view the embedded video.

The future of production is here. Native Instruments’ Maschine redefines the intersection of hardware and software, performance and production. With Dubspot’s Maschine program for producers and performers, you’ll go from shaking hands with this cutting-edge music platform to making full tracks and performing your music live.

What’s Included

  • Maschine Level 1: Production Essentials
  • Maschine Level 2: Sampling, Recording, and Effects
  • Maschine Level 3: Advanced Techniques and DAW Integration

About This Program

At Dubspot, you’ll learn to produce and perform music with Maschine by becoming familiar with its hardware and software simultaneously. Maschine’s tactile controls map seamlessly to their software counterparts, unlocking an advanced production environment. The first level takes you step-by-step through producing an entire track, covering the essentials of sequencing, synthesis, and mixing along the way. We start making music from the beginning–even if you’re completely new to Maschine, you’ll be making your own beats and grooves within days.

You’ll learn sampling and recording techniques to add original material into your productions, use advanced automation features and cutting-edge effects for sound design, and explore Massive, a powerful synthesizer that’s included with Maschine. You’ll also discover how plug-in instruments and effects can expand your creative workflow, and how additional hardware instruments and controllers can be integrated into your setup. Finally, you will also learn how to integrate Maschine into a DAW as a plug-in effect or MIDI controller, with examples shown in Ableton Live and Logic Pro.

“Working closely with Native Instruments, Dubspot reveals the magic of Maschine. We hope you are ready to see first hand what the buzz is all about!”

Click here for detailed information on this program, including start dates and payment plans.

Or if you have questions, please call 877.DUBSPOT or send us a message.

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The post Native Instruments Releases Full Version of Stem Creator Application appeared first on Dubspot Blog.

Saber de todo no es la solución

La crisis y la falta de oportunidades nos ha empujado a pensar que cuanto más sepas y controles, más oportunidades laborales tendrás. Esta generalización puede ser válida en según qué sectores, pero ¿también en el sonido profesional? No.

http://bit.ly/1L3WBbR

martes, 29 de septiembre de 2015

DIRTYBIRD Campout Announces Complete Lineup and Festival Activities


DIRTYBIRD Campout announces complete lineup along with a smorgasbord of your favorite camp games and activities to be hosted by Campout Counselors throughout the three-day festival at Oak Canyon Park in Silverado, CA on October 2-4. 

Dirtybird Campout

DIRTYBIRD has assembled an all-star crew to guide their loyal campers for three days of campfire tales, lakeside s’mores, and late night dance-offs at Oak Canyon Park on October 2-4.

Also, a smorgasbord of your favorite camp games and activities will be hosted by Campout Counselors throughout the three-day festival. DIRTYBIRD Camp Counselors encourage all campers to take a break from the dancefloor and spend the afternoon goofing off summer camp style. Whether you are hamming it up at the talent show with Claude VonStroke, sack racing with Justin Martin, learning archery with J.Phlip or walking the runway in the Summer Camp Fashion show with the whole troop, there will be no shortage of around the clock entertainment for every loyal camper looking to earn an official merit badge. Visit the DIRTYBIRD Campout website to see a full list of activities and additional info.

Click here to view the embedded video.

DIRTYBIRD celebrates ten years of booty-shaking house music in 2015, repping a distinct sound and good times mantra that has become a staple on dancefloors around the world. In the last two years, DIRTYBIRD has been curating and hosting stages at major festivals like HARD, TomorrowWorld and Electric Zoo, while launching their own nationwide BBQ party series. The inaugural DIRTYBIRD Campout should be a raucous extension of the California crew’s inimitable vibes.

Ticket Pricing and Info

3 Day Pass: $130 – $160
Backstage Party Pass: $300 (includes 3 Day Pass, access to backstage lounges, private restroom and bar, and both BBQ’s)
Car Camping Pass: $70
RV Camping Pass: $160
BUY TICKETS

Event is 21+

Visit DIRTYBIRD Campout for additional information and festival extras.

Complete Lineup

Claude VonStroke – Justin Martin
Daniel Bell – Breach – Lee Foss – J.Phlip – Lunice
Laura Jones – Benoit & Sergio – Eprom – Nosaj Thing
Kill Frenzy – Jesse Rose vs. Doorly – &ME – Justin Jay
Ghengis Clan – Ardalan – Christian Martin – Worthy – Mikey Lion
Billy Kenny – Sonny Fodera – ZDS – Will Clarke – Walker & Royce -
Solar – Sacha Robotti – Mark Starr – Ryan Wells – Barclay Crenshaw

 

About DIRTYBIRD Records

DIRTYBIRD has been dropping basslines and creating smiles on the dance-floor since January 2005. The innovative American house music label has become synonymous with quirky ideas, bass driven funk and a crew of humble characters who like to have fun. The unique sound of the label has helped reshape the landscape of house music and launch the careers of top acts such as Justin Martin, Shiba San, Julio Bashmore, Breach, Eats Everything, Riva Starr and many more. Since 2005, DIRTYBIRD has released over 150 Eps, Albums and Compilations and carved out a niche as a premiere American label and as an international influencer. The label continues to go from strength to strength continually signing new talent while continuing to develop its strong roster of veterans.

 

Open House in NYC: Sundays 11am | Guided Tour of LA

Ask questions. Watch demos. Test drive workstations.

Visit our New York and Los Angeles locations! Ask our Admissions Counselors in-depth questions about our programs, curriculum and philosophy. Watch live music production and DJ demos, and test drive our student workstations. If you are still trying to decide what you are looking for, stop by one of our Open Houses in NYC or schedule a tour in LA to find out more about the learning process at Dubspot. We can also help with scheduling details and payment options.

Click here to view the embedded video.

/files/2015/09/DB_Thumb.jpg

The post DIRTYBIRD Campout Announces Complete Lineup and Festival Activities appeared first on Dubspot Blog.

DJ Player soportará stems y necesitan beta testers

DJ Player, quizá la aplicación más completa para pinchar con dispositivos iOS, desvela mediante un vídeo que la próxima versión del software se llamará DJ Player Pro y soportará el formato de audio multipista stems. No sólo eso, el desarrollador necesita voluntarios para probar la versión beta de la aplicación

http://bit.ly/1Ww0FWl

lunes, 28 de septiembre de 2015

Dubspot Hump Daze at LA’s Bronson Bar September 30th


Join Dubspot crew for Hump Daze at Bronson Bar on LA’s Sunset Blvd for a monthly celebration of sound featuring Dubspot students and special guests.

hump daze

Hump Daze @ Bronson Bar
A Monthly Celebration of Sound

Bronson Bar
5851 Sunset Blvd, Los Angeles, CA 90028
Wednesday, September 30th
9pm / 21+
No Cover

Featured Artists

Uncle Funk (Disco Aliens)
LeftSoul
EMV

DJ Extensive Program

Immerse yourself in the complete art of DJing: from the fundamentals of beatmatching and mixing to using effects and programming extended club sets. Whether you’re a beginner wanting to learn fundamentals or a seasoned pro looking to take your talent to the next level, our curriculum is designed to accommodate all skill levels and styles of music. This comprehensive DJ program covers everything from basic mixing to advanced digital DJing with both Serato and Traktor.

What’s Included

  • DJ Level 1: Rookie Sessions | Essentials I
  • DJ Level 2: Phrase Mixing | Essentials II
  • DJ Level 3: Beyond The Blend | Intermediate Skills
  • DJ Level 4: Preparation | DJ Psychology
  • DJ Level 5: Classroom to the Club | Advanced Techniques I
  • DJ Level 6: Club to the World | Advanced Techniques II

More start dates and information about payment plans can be found here.

If you have questions, please call 877.DUBSPOT or send us a message.

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The post Dubspot Hump Daze at LA’s Bronson Bar September 30th appeared first on Dubspot Blog.

viernes, 25 de septiembre de 2015

Brooklyn Electronic Music Festival (BEMF) Announces Full Lineup


Brooklyn Electronic Music Festival (BEMF) has announced the lineup for its 8th annual installment, which takes place November 5th through 8th across various venues in Williamsburg, Brooklyn. The lineup continues BEMF’s legacy of forward thinking curation, positioning it as a unique showcase for New York’s emerging talent, alongside leaders of the global underground.

Brooklyn Electronic Music Festival

8th Annual Brooklyn Electronic Music Festival
November 5-8, 2015

21 and Over
Festival Passes Available HERE.

Location Venues Across Brooklyn, NY

Output
Music Hall of Williamsburg
Verboten
Baby’s All Right
Good Room
Cameo
Kinfolk

Full Lineup (Alphabetical)

Armand Van Helden
Daniel Avery
Django Django
Doctor Jeep
Floating Points (Live)
George Fitzgerald
Julia Govor
Laid Back Luke b2b Gina Turner
Luke Hess
Masters at Work
Matrixxmann
Mike Simonetti
MK
Obey City
Oneman
Patrick Russell
Snakehips
Soulclap
Virginia
Voices from the Lake (Live)
Volte-Face

About BEMF

Since its inception, BEMF has striven to blur genre boundaries and push past notions of underground and commercial in order to simply present artists that need to be heard in NYC. As such it has championed diverse artists like Hudson Mohawke, Nicolas Jaar and The Black Madonna, well before they burst into popular conscience.

BEMF also seeks to provide a platform for those in the electronic music industry to discuss ideas, the issues and challenges they face, and to celebrate its unique artists. BEMF will host daily daytime panel sessions, and fireside chats hosted with BEMF’s media partner, VICE’s dance music platform, THUMP, and music technology company, Novation.

BEMF’s programming extends beyond the traditional two-day festival experience with two pre-parties opening the proceedings on Thursday, November 5th, and a closing morning brunch on November 8th. This year BEMF will also bring back their official after-hours programming, kicking off Saturday at midnight, and running through Sunday sunrise.

Stay Connected with BEMF on Facebook | Twitter | Instagram | Website

 

Open House in NYC: Sundays 11am | Guided Tour of LA

Ask questions. Watch demos. Test drive workstations.

Visit our New York and Los Angeles locations! Ask our Admissions Counselors in-depth questions about our programs, curriculum and philosophy. Watch live music production and DJ demos, and test drive our student workstations. If you are still trying to decide what you are looking for, stop by one of our Open Houses in NYC or schedule a tour in LA to find out more about the learning process at Dubspot. We can also help with scheduling details and payment options.

Click here to view the embedded video.

The post Brooklyn Electronic Music Festival (BEMF) Announces Full Lineup appeared first on Dubspot Blog.

Dubspot Radio Podcast: Basic Mitch + Exclusive Mix and Interview!


This week’s episode brings us Alaska native, Basic Mitch. If you have been to Dubspot NYC in the last year, you may have spotted him in class or roaming the halls taking care of all your tech needs as a member of the Dubspot Tech Department. Turns out that Basic Mitch also makes dope music, so Pozibelle had him put together a mix that is full of exclusives featuring some of Dubspot NYC’s finest producers and MC’s. Before the mix, Basic Mitch and Pozibelle sat down and discussed his favorite pinball machine, favorite rapper, and some other cool topics.

Basic Mitch

 

Tracklist

1. Saxy – Tortuga
2. Jazzy Mood – Emilijo A.C.
3. Late Nights – Kiedo
4. Unreleased – Mallive
5. Teeza
6. Rising Angel – Deebs
7. Wanna Be There – Garren
8. Wizards – Matt Heff
9. Upward Mobility – Jackson Whalan
10. Blackouts – Pham
11. Chirp – Icarus Moth, Hotwagner
12. Unreleased – Lean Automatic (Prod. Matt Heff and Basic Mitch)
13. Unreleased – Basic Mitch, Mallive
14. Take One More – Matt Heff, Basic Mitch
15. Love Letter – Thomas White, Timbah
16. Mitzdi (Mallive Remix) – Whynell
17. Soulchild – J-Louis
18. Pineapple Pool Party – Lehvi
19. So Fresh So Clean (AYO Remix) – Outkast
20. The Mob – Matt Heff, Icarus Moth, Kiedo, Hotwager
21. In Person (Instrumental) – Matt Heff, Basic Mitch ft. Lean Automatic and Jackson Whalan
22. Mowmpta – Memba
23. Beat The Game – Antimeta, Basic Mitch

About More Basic Mitch

Basic Mitch was born and raised in Anchorage, Alaska. His musical journey began at the young age of four when he asked his mom for a guitar. Most recently, he studied at Dubspot and continues to produce. Oh yeah, he loves bacon too.

Keep up with Basic Mitch on Facebook | SoundCloud

 

Open House in NYC: Sundays 11am | Guided Tour of LA

Ask questions. Watch demos. Test drive workstations.

Visit our New York and Los Angeles locations! Ask our Admissions Counselors in-depth questions about our programs, curriculum and philosophy. Watch live music production and DJ demos, and test drive our student workstations. If you are still trying to decide what you are looking for, stop by one of our Open Houses in NYC or schedule a tour in LA to find out more about the learning process at Dubspot. We can also help with scheduling details and payment options.

Click here to view the embedded video.

/files/2015/09/Basic-Mitch.jpg

The post Dubspot Radio Podcast: Basic Mitch + Exclusive Mix and Interview! appeared first on Dubspot Blog.

Todo lo que necesitas saber sobre STEMS

¿Qué es el nuevo formato Stems? ¿Para qué sirve? ¿Cómo se crean los archivos? ¿Qué programas lo soportan? ¿Hay controladores específicos? ¿Dónde puedo comprarlos y cuánto cuestan? ¿Puedo comercializar mi música en ese formato? Desvelamos las incógnitas en este reportaje monográfico.

http://bit.ly/1VeYTpV

jueves, 24 de septiembre de 2015

miércoles, 23 de septiembre de 2015

WaveDNA desafía el piano roll con Liquid Music

La gente de WaveDNA ha anunciado la llegada de Liquid Music, una herramienta para la edición inteligente de MIDI que pretende superar el tradicional lápiz del piano roll para abrirse paso a la exploración armónica y la creación de nuevas secuencias de acordes y melodías.

http://bit.ly/1NVbS0W

Discogs tendrá su propia app en iOS y Android

Los coleccionistas de vinilos tendrán una aplicación oficial en iOS y Android de la web Discogs que les ayudará a gestionar su colección aprovechando la enorme base de datos de la web, así como aprovechar otros servicios de la misma... excepto la compra-venta.

http://bit.ly/1KPI3g0

Dubspot Student Spotlight Sept 2015: Snyder, We Are Rome, Raphaël Botteron, and Zendlo


In our September 2015 Dubspot Student Spotlight, we highlight some outstanding student artists, producers, DJ’s, and musicians who have recently taken courses at Dubspot NYC, LA, and Online. Get to know Snyder, We Are Rome, Raphaël Botteron, and Zendlo.

Dubspot Student Spotlight

Snyder. | Chicago, IL

Snyder

Snyder comes from Chicago, IL where he quickly developed a passion for house music. After taking Production and DJ courses at Dubspot, he was able to create his own sound in his self-entitled EP. Gaining support from ‘The Sound You Need’, ‘EDM Sauce’, ‘Sick Taste’, and ‘EDM Lead’ Snyder is determined to make his mark on the music industry.

“The experience that I gained at Dubspot not only gave me knowledge but also a family that has helped me learn more about music and life than I would have ever imagined.” ~ Andrew Snyder

 

We Are Rome | Los Angeles, CA

We Are Rome

We Are Rome is a progressive house DJ/Producer duo based out of Los Angeles, CA. The duo consists of Sarmo and Fama, who met about seven years ago in Portland, OR at a show. They recently released their first single “Bet We Could” which has been featured by multiple music blogs such as Rage Junkie.com, YourEDM.com, and more. “We Are Rome” will be releasing and giving away one song every single month for the rest of the year for free, so make sure to keep up with them on SoundCloud for their latest music.

“Dubspot has helped us with our production and DJ skills in a big way. Sarmo took the DJ Extensive course and has applied many of the skills he has learned from class and used them in the studio. I would definitely say my teachers in the Ableton Live class and Sound Design class were incredible, so shout out to James Bernard and Thavius Beck. We are currently in the DJ class, and learning a ton. The class is helping us to prepare all of our tracks to take them from the studio to the club.” ~ Jordan Sarmiento 

 

Raphaël Botteron | Switzerland

Raphael Botteron

Raphaël Botteron aka Are Bee is a 20-year-old producer and musician from Switzerland, who came to New York last year to attend electronic music classes at Dubspot, as well as English classes. Raphaël has been producing for two years, but really discovered his craft after taking classes at Dubspot. Since then his songs are closer to what he would like them to sound. He began using FL Studio but didn’t feel his music sounded well enough technically and is now using Ableton Live to create his visions.

“I really love all kinds of electronic music, but I have to say that my favourite genre is called “Mainstream.” For example, Big Room, Progressive House, Electro House, Future House, etc.”

“I’m still improving, and I’d like to continue producing in the future as much as I can because it’s a lot of fun. I also liked coming to Dubspot last year because I met a lot of other musicians, like Guddu, a guy from MGM (New Jersey), with whom I produced a cool big room track!” ~ Raphaël Botteron

 

Taylor Pierce | Los Angeles, CA

Dubspot Student Spotlight

Taylor Pierce, known by the artist name of Zendlo, is a 24-year-old producer/DJ from Alpine, Utah. He spent two and a half years in Rexburg, Idaho schooling at Brigham Young University-Idaho and working at the broadcast studio on campus. He recently moved to Los Angeles, California to pursue his career in post audio and further his music career.

From ages 19-21, Taylor lived in South Africa, which is the home of deep and tribal house music. His experiences in South Africa are reflected in his music productions. Artists like Sharam Jey, Kolombo, Friend Within, Destructo, and Jack Beats are also a huge influence on the music he produces and plays today.

“I had the chance to take the mixing and mastering course from Ariel Borujow, Justin Aswell, and Ricardo Gutierrez. The course gave me a solid foundation of mixing knowledge that I could build upon, plus a ton of advanced mixing techniques. I loved my teachers so much! They had a lot of knowledge, and they were great at teaching too. I learned more in six months than I could have ever learned on my own.” ~ Taylor Pierce

 

Open House in NYC: Sundays 11am | Guided Tour of LA

Ask questions. Watch demos. Test drive workstations.

Visit our New York and Los Angeles locations! Ask our Admissions Counselors in-depth questions about our programs, curriculum and philosophy. Watch live music production and DJ demos, and test drive our student workstations. If you are still trying to decide what you are looking for, stop by one of our Open Houses in NYC or schedule a tour in LA to find out more about the learning process at Dubspot. We can also help with scheduling details and payment options.

Click here to view the embedded video.

/files/2015/09/Student-Spotlight-Sept-2015-Thumb.jpg

The post Dubspot Student Spotlight Sept 2015: Snyder, We Are Rome, Raphaël Botteron, and Zendlo appeared first on Dubspot Blog.

martes, 22 de septiembre de 2015

Ableton Live Tutorial: Building an Audio Mastering Template w/ Rory PQ


In this Ableton Live tutorial, Dubspot’s Rory PQ takes us through the basic tools and approaches to audio mastering using an Ableton Live Audio Mastering Template that is available as a free download below. Learn many more industry secrets and advanced Mixing and Mastering techniques in our upcoming courses. See Dates and Register Today!

ableton_live_tutorial_masteringtemplate

What is Audio Mastering?

Audio mastering is the final and most crucial step in post-production. It is the process of taking a final mixdown and preparing it for distribution. Mastering is a skilled art that relies on a combination of audio technology, psychoacoustics, trained ears, and musical intuition. The goal during the mastering stage is to polish the final mix and give it that professional edge so that it stands up to commercial quality and loudness.

Using multiple tools, Mastering Engineers make subtle decisions to maximize the overall output level, correct mix balance issues, form a cohesive mix, enhance particular sonic characteristics, and apply various other processing moves to achieve a professional sounding master.

To help get a better understanding of the mastering process and the common tools used in a mastering chain, we created an Audio Mastering Template for Ableton Live available as a FREE download.

[contact-form-7]

The template is intended to demonstrate some basic tools used in the mastering stage and uses all Ableton Live native devices. In addition, there are three audio tracks set up for referencing your master against other commercial masters. To use this template, simply load up your tracks, and apply only the devices needed for the job.

Audio Mastering

Glue Compressor | Bus Compression

audio mastering

Live’s Glue Compressor is an analog-modeled compressor based on the legendary SSL 4000 G-Master Bus Compressor from the classic 80’s SSL mixing console. SSL modeled compressors are ideal for compressing full mixes or bus groups because of their transparent compression characteristics and unique ability to “glue” a mix together while adding just the right amount of punch and drive. When using the Glue Compressor for mastering, it’s often recommended to use a longer Attack, shorter Release, and minimal Gain Reduction. The goal is to use subtle amounts of compression to achieve a more cohesive and punchier mix without compromising clarity. Also, placing the Glue Compressor first in our mastering chain will help tighten up the mix before applying further processing.

Alternative Compressors

  • The Glue by Cytomic
  • SSL G-Master Buss Compressor by Waves
  • SSL G Series Bus Compressor by Universal Audio

Dynamic Tube | Add Warmth

Audio Mastering

Applying subtle amounts of saturation to add texture and bit more perceived loudness is another approach mastering engineers use to shape the mix further. Second in our mastering chain, we added Live’s Dynamic Tube to apply some mild saturation over the entire mix. Dynamic Tube has characters of a tube amplifier and works great for warming up existing harmonics. You could also use Live’s Saturator device if you want a more aggressive sound. However, when mastering a mix, subtle moves often have better results, and the mild effect of Dynamic Tube works great in a mastering chain.

Alternative Saturation Plugins

  • Inflator by Sonnox Oxford
  • Vitalizer MK2-T by SPL
  • Varisaturator by Voxengo

Compressor | Gentle Squeeze

Audio Mastering

The third device in our mastering chain is Lives Compressor. It’s common to see various types of compressors being used in a mastering chain to achieve more RMS power without over compressing the mix. Mastering Engineers often use multiple compressors to share the workload. Using a few different compressors each with different sounding characteristics to apply subtle amounts of compression is a more transparent method to gently tame mix, and is often more pleasing sounding. Allowing a single compressor to do all the work may make a mix sound less powerful and more squashed. For example, two different compressors with 1.5dB of gain reduction may sound punchier and louder than the same compressor with 3dB of gain reduction.

Alternative Compressors

  • PuigChild 670 Compressor by Waves
  • Shadow Hills Mastering Compressor by Universal Audio
  • Virtual Buss Compressors by Slate Digital

Compressor | De-esser

Audio Mastering

The fourth device in our mastering chain is another instance of Live’s compressor configured to act as a de-esser. De-essers are more commonly used on individual tracks to remove sibilance from vocal tracks or even used to control excessive high-frequency information from other instruments such as hi-hats, snares, guitars, and other sounds with harsh frequencies. De-essers can also be used on an entire mix to tame unpleasant frequencies in an a controlled frequency range and achieve a smoother high end that will translate better on big systems. Enabling the Sidechain EQ on Compressor and choosing the Bandpass filter will allow use to focus on the frequency range that sounds harsh and apply gentle compression to control aggressive frequencies.

Alternative De-essers

  • SuprEsser DS by Sonnox Oxford
  • Pro-DS by FabFilter
  • Renaissance DeEsser by Waves

EQ Eight | Reductive Mid/Side EQ

Audio Mastering

Once you have a more cohesive and controlled mix, it’s common to use a digital parametric EQ to apply subtle amounts of reductive equalization to shape the mix further before applying additional processing. The fifth device in our mastering chain is Live’s EQ Eight set to Mid/Side Mode, which allows us to EQ the mid and side frequencies independently. It’s often recommended to reduce frequencies with one EQ and have another EQ dedicated for boosting frequencies later in the mastering chain if needed. Using multiple EQ’s gives us more control and allows us to use different types of EQ’s to apply different equalization characteristics. For example, digital EQ’s work best for reductive equalization, while others may prefer an analog modeled EQ for boosting frequencies because they color the sound in a pleasant way. When applying reductive EQ, Mastering Engineers often use a low shelf filter to control sub-sonic frequencies to reduce the load on speakers or sweep the mix and cut unpleasant frequencies. The goal here is to clean up the mix and control before applying additional processing effects.

Alternative Reductive Equalizers

  • Pro-Q 2 by FabFilter
  • bx_digital V2 by Brainworx
  • EQuilibrium by DMG Audio

Multiband Dynamics | Multiband Compression

Audio Mastering

The sixth device in our mastering chain is Live’s Multiband Dynamics for applying multiband compression. Dividing the mix into separate frequency bands allows us to have more control over independent frequency ranges. Live’s Multiband Dynamics device is a mastering processor that has three independent frequency bands, with adjustable crossover points and compression settings. Having independent control over the bands allows us to compress each frequency range differently and further balance the mix with the separate gain controls. A common move in mastering is to apply gentle compression to the low-frequency band so you can increase the output level or push the limiter harder to gain more low end without needing to boost with an EQ. This approach can often result in a more punchy and controlled bottom end.

Alternative Multiband Compressors

  • Alloy 2 by iZotope
  • Pro-MB by FabFilter
  • Linear Phase Multiband Compressor by Waves

Multiband Harmonics | 3 Band Exciter Rack

Audio Mastering

Another common move during mastering is applying different flavors of saturation across independent frequency ranges. Multiband harmonic enhancers create additional harmonics that deliver a warm enriched sound, and can often be used to enhance a sound more musically then boosting with an EQ. It’s common to see Mastering Engineers applying subtle amounts of saturation to the high and mid bands to give the mix more presence. Unfortunately, Live does not have a multiband exciter, so for our seventh device in our mastering chain we created a three band Audio Effects Rack using a phase inversion technique so that the rack has a more transparent sound. Each band is also loaded with Live’s Saturator device so that different amounts harmonic distortion can be applied across the frequency ranges. Alternatively, you could also use Live’s Dynamic Tube or Overdrive devices.

Alternative Multiband Harmonic Exciters

  • Ozone 6 by iZotope
  • Saturn by FabFilter
  • Vitamin Sonic Enhancer by Waves

Multiband Stereo Imaging | 3 Band Imager Rack

Audio Mastering

Multiband stereo imaging is another common move used in mastering. This technique allows you to widen or narrow the stereo field independently for each frequency band. Spatial imaging is used to enhance and alter stereo separation. For example, a Mastering Engineer may use stereo imaging to rebalance a stereo mix, transform a mono track to stereo, or enhance spatial imaging by widening the high and high-mid frequency bands. Typically the low-mid and low bands are left centered or even narrowed in the sub frequencies. For our eighth device in our mastering chain, we created a 3 Band Imager Rack similar to 3 Band Imager Rack only this time the frequency bands are loaded with devices to control stereo width. The Low and Mid bands are controlled with Live’s Utility device, and the High band is controlled with another Audio Effects Rack designed to create stereo separation with a psychoacoustic phenomenon known as the Haas Effect.

Alternative Stereo Imagers

  • Ozone 6 by iZotope
  • S1 Stereo Imager by Waves
  • MB-7 Mixer by Blue Cat

EQ Eight | Additive Mid/Side EQ

Audio Mastering

The ninth device in our mastering chain is another EQ Eight set to Mid/Side Mode and is used for additive equalization. Treating frequencies with additive EQ is a common move to enhance elements of a mix that sound dull or deficient. In this mastering chain, it is the last stop to add presence and shine if needed before reaching the limiter. The type of equalizer used at this stage is entirely up to you. Some Mastering Engineers prefer the transparency of digital EQ’s while other Engineers like the color and sound from modeled analog EQ’s.

Alternative Additive Equalizers

  • Pro-Q 2 by FabFilter
  • Passeq by SPL
  • Massive Passive by Universal Audio

Limiter | Loudness Maximizer

Audio Mastering

The last, and notably the most important device in our mastering chain is Live’s Limiter. Loudness maximizers allow you to create an overall louder or fuller master by limiting the dynamic range and boosting the perceived overall level of the mix. Enhancing loudness is crucial to meet commercial levels. Correctly applying limiting lets you boost the level of your mix without sacrificing dynamics and clarity.

Alternative Limiters

  • Pro-L by FabFilter
  • L1, L2 & L3 Ultramaximisers by Waves
  • FG-X by Slate Digital

Additional Devices | Reference Tools

Audio Mastering

Also included in the mastering chain is a Utility device with the wide set to mono for referencing your mix in mono. Checking your mix in mono is important to ensure your mix translates well on mono systems. Also, Live’s Spectrum device has been placed at the end of the chain to visualize, in real time, the frequency response of the audio signal across the entire frequency range of the mix. Spectrum analyzers and metering tools are the perfect tools for visualizing changes made during mixing and mastering, and are helpful in troubleshooting problematic mixes.

Conclusion

Now that you have some basic mastering knowledge, download the template, practice some of these approaches, experiment with rearranging the devices or swap them out with your prefered plugins, and have fun.

Mixing and Mastering Program

Learn the well-kept industry secrets of EQ, compression, panning, level balancing, reverb and special effects and transform rough ideas and basic compositions into a commercial master. Investigate how to use key concepts and tools in your tracks, while paying special attention to techniques of metering and spectral analysis in order to apply science alongside the art.

What’s Included:

Mixing & Mastering Level 1: Mix
Mixing & Mastering Level 2: Modify
Mixing & Mastering Level 3: Master

“The videos were helpful and the chats were great. I expected a lot out of this course and I got it!” – Jon Yu, California

This program gives you everything you need to refine tracks into a clear commercial quality release, including special mixing and mastering techniques for dubstep, techno, house, trance, downtempo, hip-hop, and the gamut of electronically-produced music.

You will learn to mix and master your tracks using the same plugins that top industry engineers use every day, including plugins by Sonnox, Metric Halo, Altiverb, Soundtoys, Izotope, Waves, URS, and Abbey Road. Register today!

Click here for detailed information on this program, including start dates and payment plans.

Or if you have questions, please call 877.DUBSPOT or send us a message.

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