As DJ technology continues to evolve, we continue to learn new ways to perform. We reached out to our talented instructors and industry professionals to ask them what makes a great DJ?
DJ Shiftee
This is my new favorite way to organize music before a gig:
1. Make a playlist folder for the gig, and make a single playlist in the folder called ALL. For Serato users (I’m a Traktor man), just make one gig crate and then the equivalent substrates.
2. Make a single playlist of all the songs you might want to play. Scour your other playlists and past sets to make a single, all-powerful gig playlist. Make sure you have enough tracks, but also that everything is really something you want to play. For an hour set, I typically have 100-150 songs in the list.
3. Make playlists (substrates) in your gig folder of all the different types of songs in the ALL Playlist. That is, what are all the different types of tracks that you’d like in your set? Create playlists based on feeling, energy, genre, etc.
4. Sort the songs from your ALL playlist, and only your ALL playlist, into your new folder playlist. Feel free to place a single song in more than one playlist. I love this method because it focuses not only the songs you want to play but also gives you easy access to finding the right song for the right moment. Maybe I’m just a big moron, but in the past, I’d have gig playlists and then huge genre playlists. The result was inefficiency in finding the right song to match the idea in my head. In short, you are doing normal music organization on a micro level with only the tracks you know you want to play.
Mike Huckaby
Study the crowd like never before. At every gig you play, there are usually 1-3 people in the crowd or on the dancefloor that you need to pay attention to. These are the key individuals who set the tone of the night. They are usually the ones that set it off for everyone else. Everyone else is paying attention to them, but they would never admit it. These key people usually set the comfort zone and allow others to express themselves in ways that they would never do otherwise. They are also the first ones to dance, set the pace, and the tone of the night. If you study these key individuals during your set and push their buttons, it will have a positive effect on you, others, and the whole night. It works every time.
DJ Endo
Use Traktor’s Sample Decks to create loops of the best parts of your tracks. Before sampling the track, make sure that the track is perfectly beat gridded to a metronome, and use the Sample Decks to create loops that you would want to use in a live performance. To do this, create a loop in a Track Deck, then click and drag from the deck header to a Sample Deck slot. To save the sample you will need to un-mute the sample slot and either let the sample play all the way through three times, or you can just turn the sample slots play button on and off three times really fast. The loop will then be saved under Track Collection – All Samples. Once you have a bunch of loops saved, you can additionally rename the loops by clicking on the track name in the browser. I also like to keep my loops named under 15 characters long.
Justin James
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Adam Freeland
Turn your volume down. Most sound systems have a compressor on the front of the house anyway, so cranking it louder and into the red on the mixer isn’t going to do anything but make everything sound worse. Louder does not necessarily equal better. Keep your volume at a reasonable level and give the front of house sound guy some headroom and he’ll make sure you sound good. Give him a distorted signal and there’s nothing he can do except turn you down.
Alex Burkat
Exercise your patience as DJ and the audience will follow. Don’t mix too fast unless the crowd demands it. If it’s a packed room and they’re ready, go all in, but if they’re still warming up, build their anticipation for the rest of the night – you want them to be there all night, right?
JP Solis
Learn to pace yourself; magic happens when it’s not forced. Try playing three of your favorite records in a row before you “go in” on the bangers. You will know when you’ve locked into a groove. It’s a feeling you’re after. Everything around you will blur, and it’s just you and the tunes. At that point, let the music tell you where to go, what to play next, how long to play it, how fast or slow it should be, how loud it should be, which FX to use, and how it should be EQ’d.
Matt Cellitti
Learn to produce. Unless you have some exemplary skill you can showcase such as DMC-style scratching, controllerism tricks, or amazing audio/visual presentation, then producing your own music in conjunction with DJing is the best way to make a name for yourself.
DJ Kiva
Don’t let your computer go to sleep while DJing. If your computer puts the display or hard drive to sleep during the middle of a performance, it will make the audio stutter, drop out, or freeze. Before you perform, you can change your system preferences to make sure this won’t happen. On a Mac, Open ‘System Preferences’ and go to the ‘Energy Saver’ settings. Set ‘Computer Sleep’ and ‘Display Sleep’ to ‘Never.’ Also, uncheck the box by the option to ‘Put the hard disk to sleep when possible.’ After the show, you can change the energy settings back to its original settings to preserve your computer’s lifespan during day to day use.
Martín Perna
I use iTunes extensively to edit tags and find ways to classify the music through creating different additional categories and also to make sure my genre/sub-genre listings are all uniform and together. In iTunes also I worked out a more detailed system of playlists starting with larger general ones, then working with that list to create more specific sub-folders. For instance, a folder called Latin America, then subfolders based on countries: Puerto Rico, Cuba, NYC, DR, Colombia, etc. In addition, I’ll organize that list by genres and artists. This helps me create mixes that have more common narratives, and when I want to find something I have it at my fingertips along with other songs that share some common characteristic or criteria. This process of filing and categorization has helped me also become better at keeping my vinyl shelves organized and has given me new ways of thinking about the music and what goes together. All of this has taken a lot of time. I’ve been using iTunes for over eight years and am just getting around to making sense of it. It didn’t happen overnight, but it’s an ongoing process and a rewarding one.
DJing with Traktor Program
The definition of DJing has changed dramatically in the last decade. Laptops, controllers, and software have emerged alongside traditional turntables and CDJs, smashing the barrier to entry. In today’s digital age, anyone can become a DJ. To reflect this renaissance, Dubspot has created the DJing with Traktor Program. In both our physical and online schools, students will learn how to DJ entirely with Traktor’s cutting-edge technology. An emphasis will be placed on the concepts of DJing rather than simply learning how to use the software.
About This Program
Starting with a historical overview, students will learn the fundamental concepts of DJing via Traktor’s intuitive interface. They will then delve into the vast array of possibilities offered by this groundbreaking software, presenting their work along the way. Students will leave with finished DJ mixes, a thorough understanding of DJing with Traktor, and a solid skill set ready for further development.
What’s Included
- DJing with Traktor Level 1: Introduction to DJing
- DJing with Traktor Level 2: Phrase Mixing
- DJing with Traktor Level 3: Beyond The Beatmatch
Additional Information
Visit the DJing with Traktor course page for detailed information on this program here.
If you have questions, please call 877.DUBSPOT or send us a message.
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